{"id":245,"date":"2015-06-01T19:18:51","date_gmt":"2015-06-01T19:18:51","guid":{"rendered":"http:\/\/www.gillesnicolle.com\/bhabel-2\/"},"modified":"2015-07-16T21:41:09","modified_gmt":"2015-07-16T21:41:09","slug":"bhabel","status":"publish","type":"page","link":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/","title":{"rendered":"PROJECT : BHABEL (for 2017) \u00a9Gilles NICOLLE"},"content":{"rendered":"<p style=\"background: #e7e7e7; text-transform: uppercase; display: inline-block; padding: 2px 10px; margin-bottom: 25px;\"><strong>WORK IN PROGRESS<br \/><\/strong><\/p>\n<p><strong>&#8220;The Carnival of Crazies&#8221;<\/strong><\/p>\n<p>\u201cThe Carnival of Crazies was organized every seventy-seven years on \u201cBHABEL\u201d, at the time of the passage of a group of comets, which they named \u201cThe Fingers of God\u201d. On this occasion, Atlantians and human beings got together without any race distinction, to parade and celebrate the god BH\u00c2L during seven days, in this city-state built in his honor\u2026\u201d<\/p>\n<p>Eight, the figure of eternal resumption.<br \/>Eight paintings, as eight photos taken at the same moment and directed to the legendary Tower.<br \/>Eight windows opened on the past of the lost city-state of BHABEL.<br \/>Signifying a specific moment, a line drawn in the tragic history of the first terrestrial civilization of Atlantis.<\/p>\n<p><strong>Concept &#8211; Installation<\/strong><br \/> My research for this pictorial series is to mix the genres, to link the ancient with the modern.<br \/>I created these paintings in the style of the Old Masters of the former provinces of the North, by dressing them in the blazing colors of the Italian paintings of the same period. For the exhibition, these paintings are placed on easels and exposed according to their orientation in relation to the Tower, represented by a central beam of light, in order to accentuate the relief of this city-state. (see joined plan)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WORK IN PROGRESS &#8220;The Carnival of Crazies&#8221; \u201cThe Carnival of Crazies was organized every seventy-seven years on \u201cBHABEL\u201d, at the time of the passage of a group of comets, which they named \u201cThe Fingers of God\u201d. On this occasion, Atlantians and human beings got together without any race distinction, to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-galerie.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-245","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Project Bhabel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.gillesnicolle.com\/en\/bhabel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Project Bhabel\" \/>\n<meta property=\"og:description\" content=\"WORK IN PROGRESS &#8220;The Carnival of Crazies&#8221; \u201cThe Carnival of Crazies was organized every seventy-seven years on \u201cBHABEL\u201d, at the time of the passage of a group of comets, which they named \u201cThe Fingers of God\u201d. 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On this occasion, Atlantians and human beings got together without any race distinction, to [&hellip;]","og_url":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/","og_site_name":"Gilles Nicolle","article_modified_time":"2015-07-16T21:41:09+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/","url":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/","name":"Project Bhabel","isPartOf":{"@id":"https:\/\/www.gillesnicolle.com\/#website"},"datePublished":"2015-06-01T19:18:51+00:00","dateModified":"2015-07-16T21:41:09+00:00","breadcrumb":{"@id":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.gillesnicolle.com\/en\/bhabel\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.gillesnicolle.com\/en\/bhabel\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.gillesnicolle.com\/en\/"},{"@type":"ListItem","position":2,"name":"PROJECT : BHABEL (for 2017) \u00a9Gilles NICOLLE"}]},{"@type":"WebSite","@id":"https:\/\/www.gillesnicolle.com\/#website","url":"https:\/\/www.gillesnicolle.com\/","name":"Gilles Nicolle","description":"Artiste peintre","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.gillesnicolle.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/pages\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":3,"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/pages\/245\/revisions"}],"predecessor-version":[{"id":302,"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/pages\/245\/revisions\/302"}],"wp:attachment":[{"href":"https:\/\/www.gillesnicolle.com\/en\/wp-json\/wp\/v2\/media?parent=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}